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$25 LP

A collection of haunting and surreal choral music set to the text of dreams shared with Carl Jung by students and patients during the process of psychoanalysis. The texts were later detailed in Jung’s pivotal book Flying Sauces: A Modern myth of things seen in the skies (1959). Jung considers sightings of UFOs, whether in dreams or in waking life, to be a psychic phenomena, visionary rumours, a techno-utopian desire that manifests in visions, and a fantastic projection of salvation and meaning onto the unknown. 

Interplanetary Machines, recorded between 2013 and 2021, may have been a project born of different times, but its release mid-pandemic feels to be somehow the perfect home for a project that has been plagued by setbacks, health concerns and deep solitary introspection. Nifty writes:

“I was deep in touring life while trying to make this record happen. Tour life is fun, but it’s stressful and disruptive to regular life. I would work on it when I could in home life, but my focus and responsibilities were deeply divided. I slept poorly and had this bizarre and intermittent tinnitus.

By the end of 5 or 6 years of touring my health was waning, and I started losing my singing voice. I had several long bouts with bronchitis and lost the top end of my voice, which is a very difficult place to be as a musician who really relies on their voice, and a nearly impossible place to find yourself in to make a choral record.

I’ve slowly been re-learning and re-training and (hopefully) healing my voice, working in small bursts to complete this record. I realized a couple of years ago that I was instinctively singing the strange droney tinnitus I have, perhaps something akin to what Catherine Christer Hennix calls Raag Tinnitus bringing it to life in the long droning chord passages that stitch this record together, and that somehow has transformed the tinnitus into a kind of inspiration. Music can be a great teacher and healer. Somehow composing around these beautifully terse non-poetic dreamy alien words, these not-my-words felt more profoundly personal and transformational than anything I could have written myself. I think you can hear the complex darkness entangled in the healing brightness in these recordings and maybe that ‘outer space’ is a lot like our inner psychic space.”

Credits: Accompanying text by Fan Wu. Design by Victoria Lum and Julian Yi-Zhong Hou, Mastered by Robert Steenkamer, Organized by Xenia Benivolski, album cover art by Geetha Thurairajah. Musical support by Colin Fisher, Liz Peterson, Josh Cole.

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